I have been busy...

American Indian inspired necklace and earrings. Jet dbl AB 4mm bicones with freshwater pearls and black-core deep red glass size 11 seed beads. Silver clasps and crimp beads. Surgical steel earwires. The earrings will most likely be reworked with silk thread as I think the tigertail used just does not agree with me.
Double strand necklace, made with freshwater pearls (3mm and 8mm), jet dbl AB 4mm bicone Swarovski crystals and silver heishi beads. A silver chain, cones and clasp finish it.
Silver wire weaving necklace with silver clasp and silver cones. This is done with two different weavings: the core is a 28G silver wire double weave with a 28G silver wire single weave wrapped around it. A closer view of the cones and clasp. I made this one whilst on vacation around Labor Day :)
This is a necklace with matching earrings. Silver beads, fresh water pearls, flat oval Indian Jade and fine silver chain and clasp. Surgical steel earwires.

Not a very clear photo of a 28G silver wire triple weave with silver cones. 18G silver wire for findings except the silver cones, silver disc beads, and, obviously, the flat teardrop-shaped Indian jade stone. These are matching earrings similar to the flat oval jade necklace above, but without the pearls.
A bracelet por moi to wear whilst filling my SCA addiction. Carnelian carved bunny with ruby dbl AB 10mm bicone Swarovski crystals. 20G copper wire.
single weave wire necklace using 20G copper wire. Hand made clasp using 18 G copper wire.
Double weave with 28G copper wire.
Bracelet flat weave with three loops across. 20 G copper wire. Home made soap used for display.
These are the tools I usually use: pliers, wire, dowels of different gauges and a draw plate. The square with the holes drilled within it is the draw plate and it was made from horn (given to me by Valhalla Horns). The weaving - not the flat one done for the bracelet - is repeatedly drawn thru the plate, starting with a hole that matches in diameter, working/pulling the wire thru smaller and smaller holes, until the desired outcome is achieved.

silver wire weavings, & crystal/pearl weaving necklace

For some reason I am unable to rotate these photos!



Above is my double-woven wire weaving necklace that I attempted to make in the likeness that ancient Vikings would have worn - or my interpretation of one necklace, anyway. All of the beads I have made, except the large carnelian carved rabbit and the brass rose on the bottom.
Materials: 20 and 28 gauge sterling silver wires, silver cone finding, fine silver head pins, carnelian rabbit and small round beads, solid fine silver beads. This has been a project that I have repeatedly gone back to to adjust and change as I learn new techniques.



A closer view of the lamp work beads I have made. The color here is not good; I think they are so vibrant in person. They are bright blue, aqua, red, and the bottom tear drop shaped one is plum purple with dark sparkly blue stripes top and bottom.
Below is a close up of the above necklace.



Below is a necklace I plan to sell. I used the wire weaving technique but triple wove it. It was a lot more work and the weight of it is not insignificant. The bead is African Jade.
Materials: 20 and 28 gauge sterling silver wires, silver cone findings, solid silver beads, fine silver jump rings. I think the design possibilities are really limitless by exchanging the center bead with whatever suits one's fancy.



Below is another necklace I plan to sell. In this photo, it does not appear nearly as shiny or sparkly as it is in person.
Materials: fine silver chain, all silver findings, solid silver beads, fresh water pearls, black AB 4mm Swarovski crystals (oooh sooo sparkly!), silver crimp beads, tiger tail thread for stringing.



And another one I plan to sell. The materials are the same for this necklace as the one above, but an off-loom Indian weaving technique was used. There are matching earrings, but I am not particularly fond of them, so will probably reuse the materials and redo them.



Below is a close up of another way to use the wire weaving. This is done very similar to the necklace, but is worked quite differently afterward. Pliers are used instead of pulling the weaving through decreasingly smaller holes. I have made a few of these rings and I like the 20 or 22 gauge wire for this, making two rows across; the look is less fragile looking, I like it better. Below, I used the 28 gauge wire to make three rows across.



For something like this, and for nearly any project when one works the wire, it 'work hardens' it just by moving it. Even this tiny and lighter than air ring is very strong.

The wire "ropes" or necklaces are quite thicker when compared to a regular ole silver chain necklace. And their weight is significantly heavier.

Any questions? I think this could be a good place to show step-by-step how-to's for this weaving technique, if I can get better resolution from my camera, if that's even possible...