Above is my double-woven wire weaving necklace that I attempted to make in the likeness that ancient Vikings would have worn - or my interpretation of one necklace, anyway. All of the beads I have made, except the large carnelian carved rabbit and the brass rose on the bottom.
Materials: 20 and 28 gauge sterling silver wires, silver cone finding, fine silver head pins, carnelian rabbit and small round beads, solid fine silver beads. This has been a project that I have repeatedly gone back to to adjust and change as I learn new techniques.
A closer view of the lamp work beads I have made. The color here is not good; I think they are so vibrant in person. They are bright blue, aqua, red, and the bottom tear drop shaped one is plum purple with dark sparkly blue stripes top and bottom.
Below is a close up of the above necklace.

Below is a necklace I plan to sell. I used the wire weaving technique but triple wove it. It was a lot more work and the weight of it is not insignificant. The bead is African Jade.
Materials: 20 and 28 gauge sterling silver wires, silver cone findings, solid silver beads, fine silver jump rings. I think the design possibilities are really limitless by exchanging the center bead with whatever suits one's fancy.
Below is another necklace I plan to sell. In this photo, it does not appear nearly as shiny or sparkly as it is in person.
Materials: fine silver chain, all silver findings, solid silver beads, fresh water pearls, black AB 4mm Swarovski crystals (oooh sooo sparkly!), silver crimp beads, tiger tail thread for stringing.
And another one I plan to sell. The materials are the same for this necklace as the one above, but an off-loom Indian weaving technique was used. There are matching earrings, but I am not particularly fond of them, so will probably reuse the materials and redo them.
Below is a close up of another way to use the wire weaving. This is done very similar to the necklace, but is worked quite differently afterward. Pliers are used instead of pulling the weaving through decreasingly smaller holes. I have made a few of these rings and I like the 20 or 22 gauge wire for this, making two rows across; the look is less fragile looking, I like it better. Below, I used the 28 gauge wire to make three rows across.

For something like this, and for nearly any project when one works the wire, it 'work hardens' it just by moving it. Even this tiny and lighter than air ring is very strong.
The wire "ropes" or necklaces are quite thicker when compared to a regular ole silver chain necklace. And their weight is significantly heavier.
Any questions? I think this could be a good place to show step-by-step how-to's for this weaving technique, if I can get better resolution from my camera, if that's even possible...